Bielefeld:
transcript
,
2022
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| Einrichtung: | belladonna | Bremen |
|---|---|
| Signatur: | B-7245 |
| Verfasst von: | Poole, Ralph J. |
| Schriftenreihe: |
Queer Studies; 25
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| Jahr: | 2022 |
| Beschreibung: | 259 S.; enthält graph. Darstellungen; |
| ISBN: | 383765060X |
| Sprache: | Deutsch |
| Beschreibung: | |
| Queer Istanbul 1. Istanbul: Queer Desires Between Muslim Tradition and Global Pop..............29 12 points...........................................................................29 Turkey`s Transitional Periods: Kemalist Modernization, Military Coups, Queer Activism......................................................32 Sex Between Men: Ottoman Tradition and Turkish Everyday Life.....................36 Istanbul at Night: Queer Literature, Arabesk Music, and Gay Bars....................46 2. Architecture of Seduction, or: What (Really) Goes On in the Hamam?........65 Travelers` Hamam Fantasies........................................................67 Lady Montagu Visits the Hamam....................................................76 Harem Suare: Fictions within Fictions................................................81 Hamam: The Official Tour Guide Version.............................................85 After Sex Is before Sex: The Hamam as Sacred Space of Transition..................90 Hamam: Architecture of Seduction.................................................96 Archives of Feeling:Hamam`s Queer Temporality...................................102 II. Istanbul and the Queer Stage 3. "But we are all androgynous:" James Baldwin`s Staging America in Turkey..113 Speaking from Another Place.......................................................113 The Reluctant Queer................................................................116 Stranger in the City................................................................118 Freaks at the Welcome Table.......................................................121\[W9]\4. "Built for Europeans who came on the Orient Express:" Queer Desires of Extravagant Strangers in Sinan Ünel`sPera Palas..........129 "a fucking palace:" Grand Hotel....................................................129 "Where memory is, theatre is:" Harem as Memorial.................................136 "a place without a place:" Queer Space.............................................142 "A kiss is just a kiss?" Extravagant Strangers.......................................150 III. Transnational Queer Poetics 5. "The Wonder of Thy Beauty:" Bayard Taylor`s Poems of the Orientas an Intermediary Between German Romanticism and American Gentility..163 The Arabian Indifference to TimeMoving From East to West.......................163 From West to East to WestCross-Cultural Counterpoints..........................165 "Wahlheimatliteratur"Taylor Reading Rückert Reading Goethe.....................168 "Unwinding the Turban:"Poems of the Orientas American Pastoral..................174 Emblematic Male Oriental BeautyEmulating Hafiz.................................181 Taylor`s Travels to the OrientExpanding Genteel Expectations.....................185 6. Bastardized History: Elif Shafak`s Transcultural Poetics....................193 Comic Survival or the Endless Repeat Melody......................................193 Elegiac Metropolis or "A Bridge in Between"........................................199 Edible City, or the Etho-Poetics of Food and Sex...................................206 IV. Performing Queer Turkish Cultures 7. Precarious Masculinities in the New Turkish Cinema.........................217 From Yesilçam to New Turkish Cinema: Black Turks and Nationalist Masculinity.............................................219 Precarious Masculinities in the New Turkish-German Cinema:The Melodramatic Penis and Trans-Masculinity.....................................224 8. Arabesk: Nomadic Tales, Oriental Beats, and Hybrid Looks.................237 Arabesk`s Impurity: From Anatolia to Istanbul......................................238 From Tatlises`s Nostalgic Anatolian Machismo to Emrah`s Sexed-Up Hard Body......242 Flamboyant Transgression? Bülent Ersoy...........................................245 Orientalized Pop-Export: Tarkan...................................................249 | |
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