Buch
Monografie
Female Identities in Lesbian Web Series : Transnational Community Building in Anglo-, Hispano-, and Francophone Contexts
Verfasst von:
Obermayr, Julia
Bielefeld:
transcript
,
2020
Weitere Informationen
| Einrichtung: | belladonna | Bremen |
|---|---|
| Signatur: | B-6988 |
| Verfasst von: | Obermayr, Julia |
| Jahr: | 2020 |
| ISBN: | 3837652912 |
| Sprache: | Deutsch |
| Beschreibung: | |
| Acknowledgements...................................................................................................9\[W9]\\[W9]\ Preface...................................................................................................................13\[W9]\\[W9]\ Introduction..............................................................................................................17\[W9]\\[W9]\ Questions of Methodologyand Theoretical Framework\[W9]\ 1. Questions of Methodology......................................................................................27\[W9]\1.1 Field Research in the US, Canada, and Spain ...................................................... 31\[W9]\1.2 Film Analysis of Lesbian Characters ................................................................... 35\[W9]\\[W9]\ 2. Lesbian Identities.................................................................................................41\[W9]\2.1 Construction of Lesbian Identities.........................................................................42\[W9]\2.2 Terminology and Models of Identity ......................................................................45\[W9]\2.2.1 Lesbiana vs. Lésbico/ a ................................................................................... 47\[W9]\2.2.2 Models of Identity ............................................................................................50\[W9]\2.2.3 Emotions vs. Sexuality.................................................................................... 58\[W9]\2.3 Socio-Political Aspects of Lesbianism .................................................................66\[W9]\2.3.1 The Dangers of Labeling Identity........................................................................69\[W9]\2.3.2 The Importance of Labeling Identity .................................................................. 74\[W9]\\[W9]\ 3. Lesbian Web Series: The Medium.........................................................................85\[W9]\3.1 A Subculturally Sensitive Approach towards Definition .......................................... 86\[W9]\3.1.1 Performative and Political Audiovisuality.............................................................92\[W9]\3.1.2 Authenticity.................................................................................................... 93\[W9]\3.1.3 Fictionality ......................................................................................................95\[W9]\3.1.4 Narrativity....................................................................................................... 97\[W9]\3.1.5 Seriality...........................................................................................................98\[W9]\3.1.6 Transnationality and its Bonding Tendencies .....................................................100\[W9]\3.1.7 Transmediality and the Emergence of Social Media ............................................102\[W9]\3.2 The Lesbian Web Series Corpus and YouTube......................................................104\[W9]\3.3 Hypotheses and Research Questions.................................................................. 110\[W9]\\[W9]\ 4. The Lesbian Code.................................................................................................113\[W9]\4.1 No Lesbian Erasure: Visibility as Identity Stabilization Process............................. 118\[W9]\4.2 Opposing the Lesbian Death Trope ......................................................................122\[W9]\4.3 Lesbian Codes of Identification........................................................................... 123\[W9]\4.3.1 Lesbian Legacy Collection ..............................................................................124\[W9]\4.3.2 Lesbian Bodies in the Mirror ........................................................................... 127\[W9]\\[W9]\ Analysis of Empirical Data\[W9]\\[W9]\ 5. Approaching Female Identities in Lesbian Web Series within Anglo-, Hispano-,\[W9]\ and Francophone Contexts.........................................................................................147\[W9]\5.1 Female Identities in Lesbian Web Series ..............................................................149\[W9]\5.2 Encoding Lesbianism in Opening Scenes ..............................................................152\[W9]\5.2.1 Subcultural Codes and Symbols to Introduce Lesbian Protagonists .......................154\[W9]\5.2.2 Intimate (Private & Public) Safe Spaces .............................................................160\[W9]\5.2.3 Public Spaces: In the Streets of Montreal........................................................... 174\[W9]\5.3 Decoding Lesbian Bodies in Mirror Scenes ........................................................... 177\[W9]\5.3.1 Féminin/ Féminin.............................................................................................. 180\[W9]\5.3.2 ChicaBuscaChica............................................................................................. 181\[W9]\5.3.3 DeChicaEnChica.............................................................................................. 183\[W9]\5.3.4 VeniceTheSeries...............................................................................................184\[W9]\5.3.5 Excursus:Fringe/ LipService/ LostGirl..................................................................185\[W9]\5.3.6 Excursus:GZSZ.................................................................................................186\[W9]\\[W9]\ 6. Effects of Lesbian Web Series on their Audiences.....................................................189\[W9]\6.1 The Lesbian Gaze.................................................................................................192\[W9]\6.2 Lesbian Spectatorship and a Sense of Community Building .................................... 193\[W9]\6.3 Audience Migration on the Example of GuidingLight and Venice The Series Using CleanSlate as Musical Memory Motif .............................................................................................. 205\[W9]\6.3.1 From Soap Opera to Web Series ...................................................................... 206\[W9]\6.3.2 The Musical Memory Motif ............................................................................... 206\[W9]\6.3.3 Otalia Key Scenes in the Soap Opera GuidingLight............................................. 209\[W9]\6.3.4 Giani Key Scenes in the Lesbian Web Series VeniceTheSeries............................ 211\[W9]\\[W9]\ 7. Conclusion............................................................................................................223\[W9]\\[W9]\ Abbreviations............................................................................................................231\[W9]\\[W9]\ Table of Figures.........................................................................................................233\[W9]\\[W9]\ References...............................................................................................................235\[W9]\Lesbian Web Series.................................................................................................. 235\[W9]\TV Series, Films, and Documentaries ........................................................................ 236\[W9]\LGBT Archives and Museums.................................................................................... 237\[W9]\Bibliography ............................................................................................................. 239\[W9]\Webliography............................................................................................................ 247\[W9]\ | |
| Gesamten Bestand von belladonna anzeigen | |