Buch
Monografie
Anti*colonial fantasies : decolonial strategies by a group of BPoC students and lecturers in Vienna
Verfasst von:
Caceres, Imayna
[weitere]
Vienna:
Zaglossus
,
2017
,
141 S.
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Weitere Informationen
| Einrichtung: | Frauensolidarität | Wien |
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| Verfasst von: | Caceres, Imayna; Mesquita, Sunanda; Utikal, Sophie |
| Ausgabe: | 1. Auflage |
| Jahr: | 2017 |
| Maße: | 21 cm |
| ISBN: | 3902902507 |
| Sprache: | Englisch |
| Beschreibung: | |
| "Anti*Colonial Fantasies" brings together artists from different diasporas, students and lecturers, who engage with a critique of the repercussions of colonialism—including in academia - and the quest for transforming this reality. Working with various media - performances, videos, installations, paintings, photographs, drawings, and writing - as well as participatory formats, the artists expose ways in which colonialism persists today. Raising questions of race, sexuality, gender, spirituality, space, and time, they occupy themselves with the imagination and possibility of alternative realities and pursue decolonial strategies of resistance and knowledge production. With contributions by: Belinda Kazeem-Kamiński, Gerardo Montes de Oca, Imayna Caceres, Sunanda Mesquita, Verena Melgarejo Weinandt, Amoako Boafo, Stephanie Misa, Sandra Monterroso, Tatiana Nascimento, Ezgi Erol, Firas Shehadeh, Hansel Sato, Sophie Utikal, Rini Mitra, Mariel Rodríguez, Naomi Rincón Gallardo, Cana Bilir-Meier, Pêdra Costa, Yuderkys Espinosa, and Eduardo Triviño Cely. Anti*Colonial Fantasies is a student and lecturer initiative that is part of a history of decolonial, postcolonial, antiracist initiatives at the Academy of Fine Arts Vienna and within Austria. It belongs to a genealogy of artistic works produced by BPoC (Black and People of Color) and migrant artists that seek to transform the contexts and spaces they occupy. These interventions seek to address colonialism and racism from within the centers of hegemonic Eurocentric knowledge. The activist protagonists of this history of BPoC political actions are from different diasporas and move within the realm of arts where they affirm BPoC identity. | |
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Literaturverzeichnis: Seite 132-133 Hier auch später erschienene, unveränderte Nachdrucke (2018) |
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